Sorry I’ve been MIA, y’all, but I’ve been busier than a one-armed paperhanger!
I had two, major photo shoots within a week of each other–on top of regular work and preparing to move. One was for model comp cards and to christen Greenhouse Production’s new studio.
Planning the last-minute model shoot turned into a production home-week/ reunion. Creative ideas circulated. Choosing, or finalizing, the location came about much like a dare. Production agreed that although the ideas that come from Kim and I are often crazy, moving the shoot from the beautiful studio would give the photos the edge needed. And so, we shot in Floridian cemetery from the Victorian Era.
Around two in the morning, Kim and I met with the model and our salon entourage: model mothers & makeup interns. We prepped the model’s skin and she tried on a zillion outfits that she looked absolutely stunning in. Then we began the makeup.
A cemetery, especially in the middle of the night, creates an eerie atmosphere which ultimately translates through photos. We wanted the look to be edgy, but I worried dark eye makeup would push the model into a realm too extreme to market. I’ve been dying to really play with red eyeshadow and was pleased with the effect; she appears beautiful and dangerous as opposed to to unnerving and psychopathic.
Around three thirty, production met with us to pick up the dress and the rest of the props. That’s when we noticed the meteor shower raining sparkles in the sky.
At four, we pulled into the cemetery and began setting up the shoot. In the above photo, the model’s makeup actually exhibits rosy hues. However, casting blue, red, and white lighting reflects alternate tones.
Despite sleep deprivation, we shot until the sun came up and the model still looked gorgeous. I always enjoy working with Chris Fletcher and Greenhouse Productions, but this venture was especially fun for us all. I can’t wait to see the rest of the pictures 🙂